The Field Of Health Information Technology - 1178 Words

In the field of Health Information Technology we have to be able to determine the difference between a series of health records and what they are used for. As a Health Information Technician we need to be able to provide legal action or information in civil cases and to be able to understand and follow code of ethics and laws that are in place for a health record. It is important for a Health specialist to protect health information at all times to prevent any illegal threats from occurring. As a health specialist we also have to protect the confidentiality of a client or patient information and what makes a health record a legal health record? However, the law is represented as governing rules that are designed to citizens in a living†¦show more content†¦A medical health record or electronic health record is mostly used by providers for diagnosis and treatment. A EMR is â€Å"an electronic record of health-related information on an individual that can be created, gathered , managed, and consulted by authorized clinicians and staff within one healthcare organization† (NAHIT 2008, 6) {-Page 3 in textbook} The Hybrid record refers to a record that contains both paper and electronic information that is transferring information from the paper record and the electronic record but are still being used at the same time. This record is â€Å"composed of electronic stored information from numerous clinical information systems, such as laboratory, pharmacy, radiology, nursing, and other ancillary or administrative systems. {Page3} However, the paper record has been used for decades but now organizations are transferring to hybrid or electronic records. The paper health record will be taken over by the electronic record in the future because of its convenience. This brings us to the observation of the personal health record which is defined as an electronic record that contain health related information on a person or individual that conforms to nationall y recognized multiple sources

The First Movement Of Beethoven s Piano Sonata No

In the first movement of Beethoven’s Piano Sonata No. 1 in F Minor, op. 2, the composer draws on a variety of stylistic strands that contributed to the evolution of the mature classical style. Through an analysis of specific musical elements, which include references to form and style, structure, harmony, thematic material, dynamics and textural considerations, I will show how Beethoven adheres to the formal and stylistic conventions associated with the sonata during this period, as well as how he asserted his own voice, creating his own â€Å"Beethovenian† style. Beethoven makes use of a multitude of styles throughout the exposition, moving from style galant to Sturm und Drang and ending in empfandsamer. The primary theme in mm. 1-8 exemplifies the qualities of style galant. Beethoven uses a two-measure long motive repeatedly in the right hand and block chords in the left. The dominant right hand melody with chordal accompaniment in the left is an indicator for style g alant. In m. 9 he begins the transition away from F minor, and arrives at A flat Major in m. 20. As he introduces new material in mm. 15-19, Beethoven continues to use these qualities. After the transition comes the secondary theme in m. 20. The secondary theme displays a legato-lyrical ascending pattern with chromatic points, varying drastically from the much more detached melody in the first primary theme. The secondary theme starts at piano like the first theme, but varies its dynamics with forzandos on beatShow MoreRelatedLudwig Van Beethoven, An Era Of The 19th Century European Classical Music1332 Words   |  6 PagesLudwig Van Beethoven, (1770-1827) is a dominant figure of the 19th century European Classical music. He was born in Bonn, Germany, and spent most of his life in Vienna, Austria. Beethoven died at the age of 56, and his death was later found to have been caused by post-hepatitic cirrhosis of the liver, which provided clues to the origins of his deafness. 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Even though they came in different time periods, they both made a huge impact on the musical world. Sergei Prokofiev was a 20th century Russian composer. His father, Sergei Alekseievich Prokofiev, was an agriculturalist and hisRead MoreThe Van Beethoven s Musical Style And Innovations1263 Words   |  6 PagesLuwig Van Beethoven Ludwig Van Beethoven was born in Bonn, Germany and spent his musical career in Vienna. Beethoven is â€Å"widely considered to be one of the pre-eminent classical music figures of the Western world† (Beethoven 5). Beethoven was taught music by his father, but by the age of nine he had already outstripped his father’s musical knowledge and was taken under the wing of Gottlob Neefe. Neefe â€Å"schooled Beethoven in both piano playing and basic composition, introducing him to the works of

Major reason of British Petroleum Oil Leak-Samples for Students

Question: Discuss about the Major reson of British Petroleum Oil Leak. Answer: Introduction- British Petroleum Oil Leak Major Reasons- the major reasons for the failure of the project are due to the geography of the location, lapse and lack of collaboration in the risk management team, lack of punctual decision during the time of oil spill accident. Risk management team failed to have a proper estimation of the scenario which could have predicted and prevented incur of the huge loss. On proper planning and implementation such a disastrous accident causing severe harm to the environment could have been prevented. Control System- the control system removed around 2,200 t of oil from the Luisiana beach, used boats to prevent the spreading of oil. However it failed to curb the spread of oil destroying vast stretch of wildlife habitat and continuous death of marine life Analysis- the reason for cost overrun is drilling of well, penalty paid for causing a huge damage to the environment. Time overrun happened due to the huge spill which made BP to invest 32 vessels and 4 aircrafts to control the massive amount of leaking. Analysis- the project execution team was inefficient to stop the immediate flow of oil from the barrels into the sea causing huge damage to the aquatic life. By the time they resourcefully managed the spill already 4.9 million barrels of oil has flown into water. Analysis- the project team has been hailed responsible for missing the various warning signs prior to the explosion leading to time and cost overrun. Analysis better control of the environmental disaster could have been implemented for the purpose of saving the aquatic life. Interpreting the warning signs and taking due action Conclusion project management team should learn new execution strategies and an expert operational team that would be able to provide support to the project team in case of such critical accidents threatening biodiversity.

The Development And Impact Of Romanricism On free essay sample

The Eupropean World Essay, Research Paper Romanticism, in a manner, was a reaction against stiff Classicism, Rationalism, and Deism of the 18th century. Strongest in application between 1800 and 1850, the Romantic Movement differed from state to state and from sentimentalist to romanticist. Because it emphasized alteration it was an ambiance in which events occurred and came to impact non merely the manner worlds thought and expressed themselves, but besides the manner they lived socially and politically. ( Abrams, M.H. Pg. 13 ) # 8220 ; Romanticism emphasized the person, the subjective, the irrational, the inventive, the personal, the self-generated, the emotional, the visionary, and the transcendental, # 8221 ; ( www.go.grolier.com/romanticism ) Among the characteristic attitudes of Romanticism were the undermentioned: a deepened grasp of the beauties of nature ; a general ecstasy of emotion over ground and of the senses over mind ; a turning in upon the ego and heightened scrutiny of human personality and its tempers and mental potencies ; a preoccupation with mastermind, the hero, and the exceeding figure in general, and a focal point on his passions and interior battles ; a new position of the creative person as a supremely single Godhead, whose originative spirit is more of import that rigorous attachment to formal regulations and traditional processs ; an obsessional involvement in folk civilization, national and cultural cultural beginnings, and the medieval epoch ; and a fancy for the alien, the remote, the cryptic, the Wyrd, the monstrous, the diseased, and even the satanic. We will write a custom essay sample on The Development And Impact Of Romanricism On or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page ( Barzun, Jaques. Pg 157-159 ) Romanticism was preceded by several related developments from the mid-18th century that can be called Pre-Romanticism. Among such tendencies was a new grasp of the medieval love affair, from which the Romantic Movement derives its name. ( Abrams, M.H. Pg. 261 ) The love affair was a narrative or lay of knightly escapade whose accent on single gallantry and on the alien and cryptic was in clear contrast to the elegant formality and artificiality of widespread Classical signifiers of literature, such as Gallic Neoclassical calamity. This new involvement in comparatively unworldly but emotional literary looks of the yesteryear was to be a dominant note in Romanticism. ( Frenz, Horst and Stallknecht, Newton P. pgs 70-73 ) Romanticism in English literature began in the 1790 # 8217 ; s was the publication of Lyrical Ballads written by William Wordsworth and Samuel Taylor Cloeridge. Wordsworth # 8217 ; s # 8220 ; Preface # 8221 ; to the 2nd edition ( 1800 ) of Lyrical Ballads, in which he describes poesy as # 8220 ; the self-generated flood of powerful feelings, # 8221 ; became the pronunciamento of the English Romantic Movement in poesy. ( Thompson, E.P. Pgs 33-34 ) The first stage of Romantic Movement was in Germany, which was marked by the inventions in both content and literary manner and by a preoccupation with the mystical, the subconscious, and the supernatural. ( Abrams, M.H. Pg.68 ) The most momentous national motion was Germany # 8217 ; s. The Germans rebelled non merely against Napoleonic regulation but against the century old upper manus of Gallic civilisation. They rebelled non merely against the Gallic ground forcess but against the doctrine of the Age of Enlightenment. # 8220 ; The old ages of the Gallic Revolution and Napoleon were, for Germany, the twelvemonth of it greatest Cultural Efflorescence. # 8221 ; ( Abrams, M.H. Pg. 73 ) Germany became the most # 8220 ; romantic # 8221 ; of all states, and German influence spread throughout Europe. In the 19th century, the Germans came to be widely regarded as rational leaders, like the Gallic had been a century before. Most of the German idea had come from patriotism in a wide sense. A wealth of endowments, including Friedrich H? lderlin, the early Johann Wolfgang von Goethe, Jean Paul, Novalis, Ludwig Tieck, A.W. and Friedrich Schlegel, Wilhelm Heinrich Wackenroder, and Friedrich Schelling belong to this first stage. In Revolutionary France, the Vicomte de Chateabriande and Mme de Stael were the main instigators of Romanticism, by virtuousness of their influential historical and theoretical Hagiographas. ( Abrams, M.H. Pg. 81 ) While Wordsworth and Coleridge # 8217 ; s Lyrical Ballads are by and large taken to tag the formal beginning of English romanticism, of import elements of the motion were formed throughout the eighteenth century. The British landscape and deep yesteryear were explored and reinvented in diverse ways by James Thomson, Thomas Gray, James Macpherson, and Thomas Chatterton, assisting to set up the gustatory sensations for balladry and nature on which Wordsworth and Coleridge drew. ( Thompson, E.P. Pgs 111-113 ) William Blake, Wordsworth, and Coleridge constitute the early romantics. They join together chiefly because their art and idea developed in direct response to the Gallic Revolution. Early disciples to the Revolution # 8217 ; s principles, all three authors were repulsed by its violent extremes under the Terror and its reversion to strongman regulation under Napoleon. Their societal doctrines developed clearly spiritual dramatis personaes, stressing religious development instead than direct political action. The younger romantics are Byron, Percy Bysshe Shelley, and John Keats, whose political attitudes were clearly more broad than the ulterior positions of their precursors, particularly Wordsworth, Coleridge, and Robert Southey, by whom they were clearly influenced but of whom they were frequently contemptuously critical. ( Thompson, E.P. Pgs.127-136 ) English romanticism is distinguished for its lyric poesy: Blake # 8217 ; s # 8220 ; The Tyger # 8221 ; and # 8220 ; London, # 8221 ; Wordworth # 8217 ; s Tintern Abbey and his # 8220 ; Intimations # 8221 ; ode, Coleridge # 8217 ; s # 8220 ; Frost at Midnight # 8221 ; and # 8220 ; Dejection, # 8221 ; Shelley # 8217 ; s # 8220 ; Ode to the West Wind # 8221 ; and Adonai s, Keats’s â€Å"Ode to a Nightingale† and † Ode on a Greek Urn† , and Byron’s â€Å"She Walks in Beauty† are among the most famed verse forms in the linguistic communication. English romantic poets besides aspired to creation on a greater graduated table, as seen in Wordsworth’s The Prelude, the 14-book narration of his ain poetic development, Coleridge’s Rime of the Ancient Mariner, and Shelley’s ambitious verse-drama Prometheus Unbound. English romanticism is besides singular for its prose authorship, particularly its literary unfavorable judgment and its fiction. Romantic unfavorable judgment is best represented by Coleridge # 8217 ; s Biographia Literaria ( 1817 ) , which develops his theory of the imaginativeness ; Shelley # 8217 ; s Defense of Poetry ( 1821 ) , which articulates the function of the poet as the # 8220 ; unacknowledged legislator of world # 8221 ; ; and The Spirit of the Age ( 1825 ) by William Hazlitt, which in a series of profiles which traces the connexions among political relations, society, and the humanistic disciplines. English romantic fiction is dominated by three figures. Sir Walter Scott was already an tremendously successful poet when he published his first novel, Waverley, in 1814. The twine of # 8220 ; Waverley # 8221 ; novels that followed feature historical scenes and cardinal characters caught between two civilizations. With the possible exclusion of Byron, Scott exerted more world-wide influence than any other British romantic author. The universe represented by Jane Austen is smaller in graduated table but every bit of import. # 8220 ; Austen perfected the domestic novel, concentrating on inside informations of character and carefully nuanced dialogue. # 8221 ; Pride and Prejudice ( 1813 ) remains one of the universe # 8217 ; s favored novels. Finally, in Frankenstein ( 1818 ) , Mary Wollstonecraft Shelley invented the signifier known today as scientific discipline fiction. ( Thompson, E.P. Pgs. Many ) The 2nd stage of Romanticism, consisting the period from about 1805 to the 1830s, was marked by a quickening of cultural patriotism and a new attending to national beginnings, as attested by the aggregation and imitation of native folklore, common people laies and poesy, common people dance and music, and even antecedently ignored medieval and Renaissance plants. Sir Walter Scott, who invented the historical novel, translated the revived historical grasp into inventive authorship. At about this same clip English Romantic poesy had reached its zenith in the plants of John Keats, Lord Byron, and Percy Bysshe Shelley. ( Thompson, E.P. Pg. 143 ) Despite holding been both the state whose political events most clearly molded European romanticism and the on the job place of the motion # 8217 ; s philosophic primogenitor, Swiss-born Jean Jacques Rousseau, France experienced a late blossoming of romanticism, which did non make its extremum until the 1830s and # 8217 ; 40s, when its force had weakened in England and Germany. ( Barzun, Jaques. Pg. 124 ) Reasons for this prevarication in France # 8217 ; s holding been the centre of the Enlightenment idea and its holding served throughout the Revolutionary period as a trial bed for progressive political orientation. Bitter contentions affecting political and spiritual truenesss accompanied the outgrowth of romanticism in France. The chief battle took topographic point in the theatre. It included breaks of public presentations of William Shakespeare # 8217 ; s dramas in 1822 and culminated in the ill-famed conflict between the warring parties on the gap dark of Victor Hugo # 8217 ; s play Hernani ( 1830 ) . The lyric poesy of Alphonse de Lamartine, Musset, and Hugo was romantic in its marked personal emotionalism and led, necessarily, to Charles Baudelaire # 8217 ; s Fleurs du mal, possibly Gallic romanticism # 8217 ; s most utmost look. ( Barzun, Jaques. Pgs. Many ) A celebrated byproduct of the Romantic involvement in the emotional were plants covering with the supernatural, the Wyrd, and the atrocious, as in Mary Shelley # 8217 ; s Frankenstein and plants by C.R. Maturin, the Marquis de Sade, and E.T.A. Hoffmann. Achim von Arnim, Clemens Brentano, J.J. von G? rres, and Joseph von Eichendorff dominated the 2nd stage of Romanticism in Germany. ( Abrams, M.H. Pgs 362-363 ) By the 1820s Romanticism had broadened to encompass the literatures of about all of Europe. In this ulterior, 2nd, stage, the motion was less cosmopolitan in attack and concentrated more on researching each state # 8217 ; s historical and cultural heritage and on analyzing the passions and battles of exceeding persons. ( Frenz, Horst and Stallknecht, Newton P. Pgs 289-290 ) A brief study of Romantic or Romantic-influenced authors across the Continent would hold to include Thomas De Quincey, William Hazlitt, and the Bront? sisters in England ; Victor Hugo, Alfred de Vigny, Alphonse de Lamartine, Alfred de Musset, Stendhal, Prosper M? rim? vitamin E, Alexandre Dumas ( Dumas P? rhenium ) , and Th? ophile Gautier in France. Alessandro Manzoni and Giacomo Leopardi in Italy ; Aleksandr Pushkin and Mikhail Lermontov in Russia ; Jos? de Espronceda and? ngel de Saavedra in Spain ; Adam Mickiewicz in Poland ; and about all of the of import authors in pre-Civil War America. ( Frenz, Horst and Stallknecht, Newton P. ) Romanticism destroyed the clear simpleness and integrity of idea which characterized the 18th century. There was no longer one doctrine, which expressed all the purposes and ideals of Western Civilization. Romanticism provided a more complex, but truer, position of the existent universe. Bibliography Abrams, M.H. Natural Supernaturalism. New York: W.W. Norton A ; Company, 1971. Barzun, Jaques. Classic Romantic and Modern. Boston: Little, Brown and Company, 1943. Frenz, Horst A ; Stallknecht, Newton P. Comparative Literature. London: Feffer A ; Simons, Inc, 1971 Thompson, E.P. The Romantics: England in a Revolutionary Age. New York: The New Press, 1997. www.go.grolier.com/romanticism